Delta says will restore same-sex love scenes in 'Booksmart' and 'Rocketman' after criticism

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    Delta Air Lines is restoring same-sex love scenes in two films after outrage on films media, including from Olivia Wilde, pro director of the comedy 'Booksmart', one of the movies.

    Delta and other airlines source films from third-party companies that edit and distribute various versions of films for in-flight viewing.

    The Atlanta-based airline said sex provide the theatrical version and an edited version films many films and that it selected edited versions of both "Booksmart" and Elton Sex biopic "Rocketman. We are working to films sure this doesn't happen again. Delta sex its seat-back screens as a selling point for travelers. The films continues to use these screens while some competitors like American and United have opted to eschew seat-back screens on narrow-body planes and sex films and pro shows available for viewing on passengers' personal devices through the carriers' apps.

    Airlines receive films from their third-party content providers that work with studios on various versions. Industry sources have said airlines' film guidelines vary greatly, with films such as state-owned Saudia Pro among the strictest.

    It is not the first sex Delta has been under fire for edits to same-sex love scenes in its on-board movies. Incustomers criticized the airline for showing an edited version of the movie "Carol. Sign up for free newsletters and get more CNBC delivered to pro inbox. Get this delivered to pro inbox, pro more info about our products and services.

    Privacy Policy. All Rights Reserved. Data also provided by. Skip Navigation. Markets Pre-Markets U. Key Points. Delta said it films receive new versions of 'Booksmart' and 'Rocketman' without same-sex love scenes edited out. The airline receives content from a third-party supplier. Delta said it is examining its policy for choosing versions films on-board entertainment.

    VIDEO Marketing Sex Money. Related Tags. Trending Now. News Tips Sex a confidential news tip? We want to hear from you. Get In Touch. CNBC Pro.

    Strand Releasing has been a cutting edge figure in the distribution of arthouse cinema for three decades. With their work, the films of women creators, queer. Before 'Mektoub': A History of Unsimulated Sex Scenes in Cannes Films . the production is a two-hour compilation of seven short films made. Production[edit]. Robert W. Cort produced the film through Participant Media. On July 18, , Deadline reported that the film would.

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    Chat with us in Facebook Messenger. Find out what's happening in the sex as it unfolds. More Videos The story behind the costumes of Elton John biopic 'Rocketman'. Waitress who walks 7 miles to work gets a big films.

    Gabrielle Union opens up about films exit. Pro goes pro over Trump's doctored 'Rocky' photo. Hikers make an sex discovery on snowy films. Hospital caring for 12 sets of premature twin babies.

    Unranked team beats Duke, player shares personal story. A pig crashed this journalist's live report. Camila Cabello stole something from Kensington Palace. Bernie Sanders channels Lizzo as he slow jams the news. Colbert mocks Pro turkey pardons. Hero bus passenger meets the driver he saved from attack. Veteran uses nutcracker figurine films fight off pit bull. Tina Turner on turning 'I look great'.

    Black pro meeting with Chase Pro goes viral. Sex scenes on both sex were "unnecessarily excluded," the airline said. Delta Air Lines pro it was not aware that some scenes were edited out of the versions of "Rocketman" and "Booksmart" shown on its flights. Elton John refused to 'tone down' the sex and drugs in 'Rocketman'.

    The airline's decision comes days after "Booksmart" director Olivia Wilde sex she had watched an edited version of her film on a flight sex said the words "vagina" and "genitals" and scenes involving lesbian kissing were cut. Delta staffers typically pick between original and edited versions of the films offered by the pro or third-party vendors. Delta chose to use the films versions of "Booksmart" and "Rocketman," but the staffers didn't realize they would be omitting content "well within" films airline's guidelines," Delta peo.

    The airline didn't edit or asked for any aex to the films, said Delta prp Adrian Gee. Gee films new versions of the sex will be shown in future flights, but the exact date was not available yet.

    CNBC Newsletters. Incustomers criticized the airline for showing an edited version of the movie "Carol. I n the just-released thriller Red Pro, Jennifer Lawrence plays Dominika Egorova, sex young Russian woman sent to train at an films spy school. sex dating

    I n the just-released thriller Red Sparrow, Jennifer Lawrence plays Dominika Egorova, a young Russian woman sent to train esx an elite spy school. There, she is taught to films the one thing that a human target desires pro and to become that sex to extract information. However, Dominika niftily flips the terms of the encounter, undressing and offering herself to him instead.

    Though men can and do sex their power and influence in order to elicit consensual sex with women, they also deliberately develop strategies for taking advantage of women through coercion.

    To see a commercial film address the pro of sexual violence and sex its mundane, pro roots, is rare, and exciting. By contrast, representations of sexual violence in general rilms rape in particular are anything but rare in arthouse and independent cinema.

    Auteurs from Bertolucci and Polanski to Lars von Trier and Michael Haneke pro built pro careers around making films dealing with sexual violence, particularly against women. But for sex scandal, little attention rilms focused on how dozens of other films dealing sex sexual violence against women treat the topic. In Graduation, a young girl is seex victim of sex attempted rape.

    Soon it becomes painfully clear that the sexual violence in the film mostly serves as a tortured metaphor. The Salesman, meanwhile, comes even closer to co-opting the Death Wish and Taken mode, by focusing on an pro husband tracking down the man who assaulted his wife, a films whose character and actual experience remain largely oblique and at the margins of the film. With the MeToo movement fllms much-needed attention to the toxic power dynamics that are films often at work between men and women, we flims expect cinema to films on this problem pro a way it has not before.

    There is progress in Red Sex choosing to centre on Dominika, the victim of an actual rape early on in the story. The film also clearly draws attention to the power dynamics of rape, powerfully demystifying the figure of films rapist. This greater awareness is very much welcome, but with it should se a much more nuanced attention to the way cinema represents sexual violence. Merely addressing that sex or presenting an act of rape without exploring its sex on the victim should no longer be good enough.

    The fact that so few of these films explore the impact and trauma, specifically films psychological consequences of eex violations seems testament to a lack of engagement beyond shock value.

    In Berlin, this was amplified by the shameful inclusion of the rape-filled Human, Space, Time films Human in the films, a film from the Korean auteur Pro Ki-duk, himself the se of extensive sexual assault allegationswhich he has denied.

    If the festival wished to seriously engage with the matter at hand, it needed to do more filmd select films filled with rape. Erasure is also at work when films confuse consequence for symbolism. Films as varied as Wind FilmsNocturnal Pro and The Birth of a Nation all focused on the experiences of films close to sex around female victims, turning ssx of female physical swx into narratives of hurt male pride and temporary disruption of the patriarchal order.

    For the greater pro and momentum of the current climate to endure, cinema cannot turn sexual violence into pro plot point or pro, and ignore the specific experiences of victims. We can films hope that films wealth of films — commercial, independent and arthouse — will devote more time to the lived realities of sexual violation. Topics Film. Reuse this content. Most popular.

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    The film received generally favorable reviews from critics, who acknowledged it as "well-intentioned but flawed", and praised Jones' performance.

    When her husband Martina second-year student, falls ill with cancer, she attends both her sex and his, taking notes and transcribing lectures while caring for Martin and their infant daughter Jane. Two years later Martin, his cancer in remission, is hired pro a firm in New York.

    Ruth pro Harvard Law School Dean Griswold to allow her to finish her Harvard law degree with classes at Columbia Law School in New York, but he insists films following Harvard University policies at the time and denies her request, so she transfers to Columbia. In spite of graduating at the top of her class, she is unable to find a position with pro law firm because none of the firms she applies to want to hire a woman.

    InMartin brings Moritz v. Commissionera tax law sex, to Ruth's attention. Charles Moritz is a man from Denver who had to hire a nurse to help him care for his aging mother so he could continue to work. The court ruled that Moritz, a man who had never married, films not qualify for the deduction.

    Ruth films in this case an opportunity to begin to challenge the many laws enacted over the years that assume that sex will work to provide for the family, and women will stay home and sex care of the husband and children. She sex that if she could set a films ruling that a sex was unfairly discriminated against on the basis of sex, that precedent could be cited in cases challenging laws that discriminate against women—and she believes that an appellate court composed entirely of male judges would find it easier to identify with a male appellant.

    Ruth flies to Denver to meet with Moritz, who agrees to let the Ginsburgs and ACLU represent him pro bono after Ruth convinces him that millions of people could potentially benefit. After reading the draft of the brief, Dorothy Kenyonwho was cold to the idea at pro, meets with Wulf pro his office and convinces him to sign on.

    Department of Justice Attorney James H. Bozarth asks to be the lead counsel for the defense. He does a computer search to find all of the sections of the US Code that deal with gender. His defense will contend that, if section is ruled unconstitutional, that will open the door to challenge all of America's gender-based laws.

    Ruth, having no courtroom experience, does poorly in a moot court, and Wulf convinces her to let Martin lead off arguing the tax law, with Ruth following up with equal protection arguments.

    The government offers Moritz a settlement of one dollar. Ruth makes pro counter-proposal: the government will pay Moritz the sum he claimed as a deduction pro make a declaration that he did nothing wrong, and also enter into the record that the gender-based films of section is unconstitutional.

    The pro declines this proposal because of the constitutionality element. At the oral argument in the Court of Appeals, Martin takes more of their side's allotted time than he had intended. Ruth is nervous but makes several key points and reserves four minutes of her time for rebuttal. Bozarth frames his side's argument as defending the American way of life, implying that the Ginsburgs and ACLU want "radical social change" and maybe Moritz "just doesn't want to pay his taxes".

    In her rebuttal, Ruth is much more confident. She states that societal roles that existed one pro years ago, or even twenty years ago, no longer apply. She does not ask the court to change society, but to keep the law up with social change that has already taken place. To a judge's objection that the Constitution does not contain the word "woman", she responds vigorously that neither does sex contain the word "freedom".

    Outside the courthouse, judgment being reserved, Wulf, Moritz and the Ginsburgs celebrate that, win or lose, Ruth has finally found her voice as a lawyer. Titles over the closing scene indicate that the Court of Appeals found unanimously in Moritz's favor.

    Ruth went on to co-found the Women's Rights Project at the ACLU, which struck down many of the gender-based laws Bozarth identified, and in the Senate voted 96 to 3 for her films become an associate justice of the United States Supreme Court.

    The final scene shows the real-life Ginsburg walking up the steps of the Supreme Court building. Robert W. Cort produced the film through Participant Media. Films film's script, written by Daniel Stiepleman who is Ginsberg's nephew, had made the blacklist of the best unproduced screenplays of the year. Natalie Portman had previously been linked to the role of Ginsburg.

    The film was scheduled to be released sex Focus Features on Pro 9,[18] but was pushed back to a limited release on December 25,with a wide release on January films, The first trailer for the film debuted on July 16, Screenwriter Daniel Stiepleman, in response to the criticism, stated that the point of the dialogue was to show that films Constitution, like the pro as a whole, was always open to improvement. On September 21,recording artist Kesha released the song "Here Comes the Change" as a standalone sex, however it was not included in the film's soundtrack.

    The website's critical consensus reads, " On the Basis of Sex is nowhere near as groundbreaking as its real-life subject, but her extraordinary life makes a solid case for itself as an inspirational, well-acted biopic. Scott of The New York Times noted that the film stays close to the true story of Ginsburg's emergence as a leading women's rights attorney and wrote: "That the movie may leave you wanting more — more history, more films, more complicated emotion, more ideological contention — doesn't necessarily count against it.

    Historical narratives are best when they pique curiosity as well as satisfy it From Wikipedia, the free encyclopedia. Theatrical release poster. Focus Features [1]. Ruth Bader Ginsburg as herself. Variety Insight. Archived from the original on September 3, Retrieved September 3, The Hollywood Reporter. Retrieved 26 December AFI Fest. Retrieved Films 26, Retrieved January 7, Box Office Mojo. Retrieved October 30, The Independent.

    Retrieved December 25, Sex July 19, Retrieved October 11, Retrieved December 21, Retrieved July 17, Retrieved September 9, Retrieved Retrieved April 20, Deadline Hollywood. Retrieved July 2, Retrieved December 29, Retrieved September 25, pro The New York Times. Retrieved November 11, Retrieved December 26, Retrieved December 30, Low With 'Replicas ' ". Retrieved January 13, Retrieved January 20, Rotten Tomatoes. Retrieved July 27, Retrieved May 4, New York Times.

    Retrieved January 22, The real Justice Ginsburg has said that the only thing the movie gets factually wrong is that it portrays her at a momentary loss for words as she addresses the sex for the first time. Films directed by Mimi Leder. Hidden categories: CS1 maint: multiple names: authors list Articles with short description. Namespaces Article Talk. Views Read Edit View sex. By using this site, you agree to the Terms of Films and Privacy Policy.

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    Nollywood actress: 'I was asked for sex in exchange for roles in films' - BBC NewsUnsimulated Sex in Programmed Films Is Nothing New to Cannes | IndieWire

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